Artist Winifred Knights: Colour study for foreground figure of woman combing her hair, Santissima Trinita, mid 1920s

Artist Winifred Knights (1899-1947): Colour study for foreground figure of woman combing her hair, Santissima Trinita, mid 1920s

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Winifred Knights (1899-1947):
Colour study for foreground figure of woman combing her hair, Santissima Trinita, mid 1920's
Framed (ref: 9586)

Thinned oil over pencil on tracing paper on panel

5 1/2 x 6 1/4 in. (14 x 16 cm.)


See all works by Winifred Knights panel tempera portraits study 2.Knights Monnington Italy



Provenance: The Artist's Son; Private collection.

Literature: Sacha Llewellyn Winifred Knights 1899-1947 (London: Lund Humphries in association with Dulwich Picture Gallery, 2016) Winifred Knights 1899-1947 (exh. Catalogue The Fine Art Society PLC and Liss Fine Art in Association with the British School at Rome 1995, p. 55)

Tomorrow morning I am going right up into the mountains with a mule and a very beautiful cover & some Anticoli peasants to see a miracle which happens every year, at Valle Pietra, in the Abruzzi.’ (Letter from Knights to her Aunt, 1923).


The subject of this painting relates to a pilgrimage that Winifred Knights made to the Sanctuary of the Santissima Trinità in Vallepietra. Inspired by Thomas Ashby, the Director of the British School at Rome, Knights became fascinated by the people and the landscape of the Lazio region, and especially by the village festivals. The painting records female peasants from Anticoli Corrado resting in the lower Aniene valley during the procession to the sanctuary. When the painting was shown, unfinished, at the Art of the Empire exhibition at the Imperial Galleries in 1927, the critic P. G. Konody considered it to be ‘the greatest attraction of the whole exhibition’.


Santissima Trinita, 1924-30; Private Collection